this album should perhaps been disqualified for its pretention potential right away. two americans with a french fetish record an album mixing the old and the new with, what at least sounds like, odd instruments. thankfully i'm not particularily against pretention (how could one survive iceland otherwise?!) and what i found is one of the more refreshing albums of the year. it does sound unique almost to the point of being timeless and it is equal parts sweet and sinister.
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